“A science fiction publication.” Welcomes new writers. Circ. online only. Monthly. Pays on publication. Publishes ms 2-3 weeks after acceptance. Buys non-exclusive electronic rights. Accepts reprints. Response time varies.
PAYS: $25 flat fee.
“Founded in 1970 and edited by faculty, students, and staff from the renowned writing and literature programs at the University of Iowa, The Iowa Review takes advantage of this rich environment for literary collaboration to create a worldwide conversation among those who read and write contemporary literature. We publish a wide range of fiction, poetry, creative nonfiction, translations, photography, and work in emerging forms by both established and emerging writers.
PAYS $1.50 per line for poetry ($40 minimum) and $0.08 per word for prose ($100 minimum).
“Button comes out once a year or so, and Button contributors have also published in venues like the New Yorker, the Atlantic Monthly, Paris Review, The New York Times, Washington Post, and Harpers, as well as publishing plenty of books. Writers include David Barber, Sven Birkerts, Mary Campbell, Romayne Dawnay, Rodney Dennis, Diana Der-Hovanessian, Brendan Galvin (National Book Award finalist!), Andrew Lear, Ralph Lombreglia, Stephen McCauley, Lawrence Millman, John Hanson Mitchell, Jean Monahan, Amanda Powell, Stephen Sandy and Wayne Wilson. Button publishes sheet music (inspired by the example of Godey’s Ladies Book around the mid-19th century). Major label, and smaller label musicians whose compositions have appeared include: They Might Be Giants, Combustible Edison, Roger Miller (of Mission of Burma), Birdsongs of the Mesozoic, Jen Trynin, Malcolm Travis (who played with Bob Mould of Husker Du).” 20-40% freelance. Circ. 500+. Annual (to the best of our ability, and the quality of work we receive). Pays on publication. Period between acceptance and publication varies. Buys first NA Serial rights. No reprints. Responds 1-5 months.
Pays small honorarium.
“Boulevard’s mission is to publish the finest in contemporary fiction and poetry as well as definitive essays on the arts and culture, and to publish a diversity of writers who exhibit an original sensibility. It is our conviction that creative and critical work should be presented in a variegated yet coherent ensemble—as a boulevard, which contains in one place the best a community has to offer.” Biannual. Pays on publication. Publishes ms 4-8 months after acceptance. Buys First North American rights. No reprints. Responds within 4 months. Subscription $16. “All subscriptions start with the forthcoming issue. The double-issue spring edition of Boulevard is mailed out the first week of April, and the single-issue fall edition of Boulevard is mailed the first week of September.
Pays $25-$300.
“The Fiddlehead, Atlantic Canada’s international literary journal, is entertainment for the thoughtful with its mix of poetry, short stories, and creative non-fiction by established and new writers.” Welcomes new writers. 100% freelance. Circ. 1200. Quarterly. Pays on publication.
Publishes within 2-3 issues of acceptance. Buys first serial publication rights – “all other rights remain with the author, but we ask if the work is reprinted elsewhere that the first publication in The Fiddlehead be acknowledged.” Responds usually 1-6 months. Various Canadian booksellers and newsstands carry The Fiddlehead and back issues (if not sold out) along with current issue can be purchased directly from our office. They usually range in price from $10 – $15 plus shipping. Email us for details. Subscription $30 for Canada; $36 for the USA and all other countries.
“Contrary® was founded in 2003 at the University of Chicago by alumni of Chicago’s Master of Arts Program in the Humanities. It was quickly embraced and has been abundantly nourished by graduates of the Vermont College of Fine Arts MFA in Writing program. It now operates independently and without a thought of profit on the South Side of Chicago and publishes writers from throughout the world. It publishes poetry, fiction, lyrical commentary, creative non-fiction, and especially works that blur the edges of those categories.” 100% freelance. Welcomes new writers. Quarterly. Pays on receipt of invoice. Publishes ms one month after acceptance. Buys all rights: “1) worldwide rights to publish in any or all versions of Contrary and other Contrary-affiliated media, including domestic and foreign, whether in the English language or translated into a foreign language, including any successor, similar or replacement versions thereof; 2) exclusive worldwide rights for a period of 90 days from the date of Contrary’s first publication of the work; 3. non-exclusive perpetual rights to republish, store, syndicate or distribute the work or portions of the work in any language and in any country, and 4) the right to use your name and likeness in a fair and dignified manner and to publish information about you in connection with the advertising and promotion of Contrary and of the Work. 5) When exclusive rights expire after three months, the author is free to seek republication elsewhere, but Contrary must be credited in all subsequent publications. 6) All rights granted by this agreement are granted in perpetuity and applicable in all media including, but not limited to, all electronic media, internet, wireless or mobile platforms whether now known or hereafter created.” No reprints. Responds in less than 90 days. Sample copy online. Guidelines online at http://contrarymagazine.com/submissions/.
“The mission of The Baltimore Review, founded in 1996, is to showcase Baltimore as a literary hub of diverse writing, and promote the work of emerging and established writers from the Baltimore area, from across the U.S., and beyond. The BR publishes poetry, short stories, and creative nonfiction, and also sponsors two themed contests each year. We do not charge any fees for non-contest submissions.” Welcomes new writers. Quarterly. Pays upon publication. Buys first rights. No reprints. Responds within four months. Sample copies online. Guidelines online at http://baltimorereview.org/index.php/submit. Subscription is free online but an annual print edition can be purchased for $16.95.
“Albedo One is primarily a fiction magazine specializing in Science Fiction, Horror and Fantasy (Modern, Urban – no High Fantasy) We also feature book reviews and author interviews.” 70% freelance. Welcomes new writers. Circ. 800. Bi-annual in print; weekly online. Pays on publication. Publishes ms 6 months to 2 years after acceptance. Buys first rights. Accepts reprints under special circumstances. Responds within 3 months. Sample articles at website. Subscription €32.00. Guidelines online at http://www.albedo1.com/submission-guidelines.
“Radish is an exciting mobile fiction platform for serialized storytelling. Our wide variety of stories are published and read in bite-sized installments optimized for smartphone readers. It’s the literary equivalent of addictive TV dramas, right on your phone!” Pays on acceptance. Publishes no more than a month after acceptance. Buys all rights. No reprints. Responds within one week. Subscriptions available online or their app on iOS and Google Play stores. Guidelines available by email or online at https://www.radishfiction.com/writer.html.
“The Magazine of Fantasy & Science Fiction has been one of the genre’s leading publications since 1949.” Circ. 15K. Bi-monthly. Pays on acceptance. Publishes ms 2-8 months after acceptance. Buys first North American serial rights and select world rights. Occasionally accepts reprints. Responds within two months. Subscription $36.97 print; $29.97 online. Guidelines online at https://www.sfsite.com/fsf/glines.htm.
