When I was fourteen, I determined I wanted to grow up and write for a living. School counselors laughed so, as a high school senior, I enrolled at Arizona State University majoring in aeronautical engineering. I dropped out of school, went back several times, and after a series of jobs and ìcareersî that resulted in an extensive collection of hairnets and nametags, I finally got serious about being a writer, and figured out the first obstacle to working at home full time: Money.
Determining to be a writer full time is starting your own business, and you should evaluate if you have what it takes: a clear plan with realistic and achievable goals, a network you can count on for support, and a realistic definition of success. In establishing these things, I developed what I call the Three Legged Stool Approach to successful writing entrepreneurship. It’s slightly more involved than that, but I will outline my path briefly here:
A Clear Plan with Realistic and Achievable Goals
In 2005, I determined I wanted to write full time at home, and started writing articles for content farms such as Demand Studios (which many writers found sucked) and Suite 101 (which has since become simply Suite). These allowed me to do a couple of things: first, I learned to write meaningful content fast and, the faster I wrote, the more I got paid. Since I was still holding down a full time job, this was really important. Second, I learned to release my writing by a deadline. Even if it wasn’t perfect, it was as good as it was going to get with the time I had.
Then, in 2009, I set goals for a five-year plan to be completely independent without a day job. Through writing books, and taking on research contracts for a museum, and then directly for government entities and other businesses, I was working at home full-time. This was made possible by my three legged stool.
Leg 1: Writing. I wrote both technical papers, research, and analysis while at the same time authoring fiction works, from short story collections to my first novel worth anything, titled Redemption.
Leg 2: Editing. I took my skills as an author and an editor of both fiction and nonfiction, and began to take contracts with publishers and independent authors alike. This created both residual income from publishers and instant income from private editing contracts.
Leg 3: Research/Consulting. Building on the research I had done for a museum (my day job at the time) and the success I had with nonprofits, I began to consult with organizations regionally about fundraising and other issues, and began to do the same kind of historical research I had done for the museum on a private contracting basis.
A Network You Can Count On
During this process, I met other writers, editors, and consultants taking similar approaches to mine. We exchanged clients, ideas, and business plans. Since there is plenty of work out there in our fields, we were not competing with each other. Instead, we cooperated so all of us could achieve more.
I networked in all three areas of the stool. I became a member of the Idaho Editors Association, the International Thriller Writers Organization and other writing organizations, and joined the board of the Idaho Museum of Mining and Geology. I also became a member of the Idaho Association of Museums. All that networking brought me even more work.
The definition of success is nebulous at best but, as a writer, determining what is a dream and what’s realistic is very important. Selling a million copies of your novel and scoring a movie deal involves a lot of luck, and you don’t gamble with the grocery money as they say. So, while that may be the dream, more realistic goals are in order.
Things like being able to pay your bills while working at home, eating out a few times a month, and upgrading your car are more realistic.
The pros to a three legged stool? Well, if one area, such as fiction sales, is slow, more money often comes in from another, like editing. And if all three areas are doing well, you have a really good month or even quarter.
The cons? You’re busy. Really busy. And, if one area starts to lag, it is your job to go out and hustle up more business. Being a solopreneur means you do all the work, all the time, at least until you can afford to hire help in the areas of accounting, public relations, and marketing.
Can you do it? Well, if I can do it, almost anyone can. Tell me about your success story and your methods for getting there in the comments below. I hope my success inspires you toward yours, and I look forward to hearing from you.
How Offering a ‘Gift with Purchase’ Can Grow Your Freelance Writing Business
Writers: To Succeed, Simply Try Harder Than Everyone Else
If at First You Don’t Succeed, Do Your Own Thing
Do Not Be Afraid to Expand Your Freelance Writing Business
Simple Ways to Grow Your Market Share
Troy Lambert is a freelance writer, editor, and author of thriller novels who lives and works in Boise, Idaho with his fiance, son, and two dogs. He is a hiker, skier, cyclist, and horrible golfer.
Peek over the shoulders of highly successful freelance writers to see how they earn thousands per article! The query letter is the key!
In these pages, you'll find real query letters that landed real assignments for national magazines, websites, and corporations.
- Abbi Perrets' form letter that brings in $30,000-$45,000 annually
- Sample phone query from Christine Greeley
- The Six Golden Rules of Queries and Submissions...and How I Broke Them! by Bob Freiday
- Your Rights As a "Freelancer"
- and ANGELA HOY'S SECRET for finding ongoing freelance work from companies that have a stable of freelancers, yet never run ads for them!