I have secured a reversion of rights from the publisher of my 2014 poetry collection. The publisher has relinquished all rights and removed the book from Amazon. The content will be almost the same (just a few changes in format and a couple of line edits). The cover will be the same. I designed it originally and have the cover art. My question is: Do I need to specify an Edition for this reissue and, if so, is it 1 or 2?
I would definitely call is Second Edition. There are very likely old listings for the first edition online and making the new one a Second Edition will help avoid confusion for potential buyers. Furthermore, I recommend adding “SECOND EDITION” after the title in the distributor and book retailer systems to further avoid confusion. Example: QUERY LETTERS THAT WORKED! Real Queries That Landed $2K+ Writing Assignments – SECOND EDITION
90+ DAYS OF PROMOTING YOUR BOOK ONLINE: Your Book's Daily Marketing Plan by Angela Hoy and Richard Hoy
Promoting your book online should be considered at least a part-time job. Highly successful authors spend more time promoting a book than they do writing it - a lot more.
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QUERY LETTERS THAT WORKED! Real Queries That Landed $2K+ Writing Assignments
Peek over the shoulders of highly successful freelance writers to see how they earn thousands per article! The query letter is the key!
In these pages, you'll find real query letters that landed real assignments for national magazines, websites, and corporations.
- Abbi Perrets' form letter that brings in $30,000-$45,000 annually
- Sample phone query from Christine Greeley
- The Six Golden Rules of Queries and Submissions...and How I Broke Them! by Bob Freiday
- Your Rights As a "Freelancer"
- and ANGELA HOY'S SECRET for finding ongoing freelance work from companies that have a stable of freelancers, yet never run ads for them!
The Art and Craft of Writing and Editing
Writing is a constant dialogue between author and reader.
The craft of writing involves an interchange of emotions between an author and a reader. An author creates a story line, conflict, and characters, gives his characters words to speak, and then hands off these materials to a reader. This process results in a constant dialogue between the mental imagery produced by a reader and that proposed by the author.
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