I am a little confused about the copyright process. On July 6, 2018, I submitted my application to the Library of Congress for a copyright. I was told that I had to wait 12 weeks for an account or case number. I called today and got the case number. I asked how long it would take before we would receive the copyright number. They said it will take an average of 13 more months.
So, I said that it would mean a delay of at least 13 months before I could publish m book. The person said they will send us a certificate of registration. She seemed to indicate that I could go ahead and publish without it and use the IBSN number. The certificate comes in the mail.
Since I am new to applying for a copyright, is it possible that I can publish the book with the ISBN number, and still say that the copyright is owned by me, and that all rights are reserved? Is it okay if I receive the copyright registration after we publish the book?
When registering a copyright for a book, nobody waits for the government anymore. A wait of more than a year to receive your certificate is ridiculous. Heck, if your book is non-fiction, some of it could be irrelevant before the book hits the market!
When you register online, you must upload a copy of your manuscript. If you must sue someone in the future for infringement, you can easily prove that your book contained that text when you uploaded it to the Library of Congress.
Incidentally, if you don’t want to go though the headache of copyright registration (the website is not very user friendly – it tends to keep bouncing you back to pages you already completed), WritersWeekly’s Author Service Center offers the service for only $99. And, that includes the government’s registration fees.
If any author, regardless of who published (or is publishing) their book, wants us to perform this headache for them, we’ll be happy to, and THE AUTHOR will receive email confirmation of the filing and THE AUTHOR will receive the final registration certificate from the Library of Congress. We never recommend allowing another publisher to control the name on a copyright certificate when the author retains all rights.
COMPARE COPYRIGHT SERVICE FEES
(all amounts include the associated federal filing fees)
Xulon Press: $199
Mill City Press: $199
Balboa Press: $204
InfinityPublishing/FastPencil: $299 (includes LCCN)
Trafford.com: Must purchase $1499 publishing package
Westbow Press: Must purchase $1,995 publishing package
Lulu: Must purchase $1,999 publishing package
Dog Ear Publishing: Service not offered
Outskirts Press: Service not offered
BookBaby: Service not offered
Copyright Law Basics For Fan Fiction Authors By Harvey Randall, Esq.
An Author / Attorney Protects His Copyright By Harvey Randall
How Many Copies Of Your Book Would You Have To Sell In Order To Break Even?
The Working Parent's Guide To Homeschooling
Dissatisfaction with public and private schools continues to grow, and with more and more acceptance of homeschoolers at colleges and universities, now is the time to encourage all those who are ready and willing, that they are able and qualified to teach their children, even and especially if they must continue working. The Working Parent’s Guide to Homeschooling answers questions such as, “How can I work and homeschool?” by showing the reader how to find what works for them.
Read more here:
Completely revised edition of the ground-breaking travel writing book that provides a road map to success in the digital age. It dives headlong into the entrepreneurial world of blogging and digital books, while still acknowledging the real money to be made in declining print forms.
Drawing on interviews and survey responses from more than 100 successful travel writers and bloggers, this is the definitive guide to creating success instead of waiting for permission. Written by a veteran, award-winning writer with two decades of experience as a book author, online publisher, freelancer, and blogger.
Read more here:
7.625 STRATEGIES IN EVERY BEST-SELLER - Revised and Expanded Edition
At this moment, thousands of would-be authors are slaving away on their keyboards, dreaming of literary success. But their efforts won’t count for much. Of all those manuscripts, trade book editors will sign up only a slim fraction.
And of those titles--ones that that editors paid thousands of dollars to contract, print and publicize--an unhealthy percentage never sell enough copies to earn back their advances. Two years later, most will be out of print!
Acquisition Editor Tam Mossman shares seven essentials every book needs to stay in print, and sell!
Read more here: